michaela steinacher

My pictorial space is not a narrative place, but a field of friction in which different logics are allowed to coexist. What emerges from this remains open.

My pictorial space is not a narrative place, but a field of friction in which different logics are allowed to coexist. What emerges from this remains open.

My pictorial space is not a narrative place, but a field of friction in which different logics are allowed to coexist. What emerges from this remains open.

A thoughtful young person with dark hair gazes to the side, captured in soft black and white lighting.
A thoughtful young person with dark hair gazes to the side, captured in soft black and white lighting.
A thoughtful young person with dark hair gazes to the side, captured in soft black and white lighting.

The Hidden Cage describes a society in which individuals are measured less by their being than by their having. The series presents figures that appear modern, composed and adapted — embedded within structures of consumption, visibility and self-optimization.

Barcodes and reduced pictorial spaces reveal forms of binding through which order emerges without being perceived as coercion. The Hidden Cage does not accuse. The works hold up a mirror: we adorn our dependencies until we mistake them for freedom.

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